This is a page for BassList Members only!!
:- )
I have no commercial or personal relationship
with Adire, I only bought these closeout
woofers to retrofit my own Quadripole
Subwoofers...
I have a very nice pair of similar woofers for sale here.
Here's some shots of the Adire DPL-12 woofers... I'll be posting some freq response curves here soon...
Looks pretty nice... cast basket, dual gold plated spring loaded BPs... dual VCs...
Big foam half roll, and a monster dustcap...
more later - to get back to the main website, click on the bear logo up top!!
Here are the freq resp curves:
This is the DPL12 installed
in the <5cuft Quadripole test box, with PR. The driver has not yet really
been broken in fully. The
response in this curve is room response at 10 ft, approximately listenting
height and listening position.
The right hand cursor is at 47Hz, and the left is 19.6. You can see that
the whole thing is within
3dB from about 55Hz (there's a 4th order LP filter there) down to about
23Hz., with the left cursor
point read out on the bottom at 4.5dB down from the max... not too
shabby. The intended application
is to meet a speaker (and ESL in this case) as a SUB Woofer, not as
a full range Sub/Woofer
- although this driver will work in that application (see curves below).
Here's the DPL-12 measured
nearfield about 6" from the driver's dustcap, with the xover. You can
see the effect of the xover
and the effects of the loading in the box, while the PR's contribution
is
invisible from this mic
position. This is pretty much what one would expect to see here, since
the
PR starts loading the driver
and reducing its excursion as much as an octave up. The PR here is tuned
to about 23Hz.
This is the DPL-12 without
a crossover loaded into the Quadripole test box. The response is nicely
smooth
out to 200 Hz and beyond.
The mic position is nearfield, about 6" in front of the dustcap.As before,
droop
below 50Hz. is due to the
PR and box loading,and is expected.
With initial tests on
program material, the box (which is around 75+ lbs alone) displaced substantially
on big bass pulses!
On Mickey Hart's DAFOS, cut 8 "Gates Of Dafos" the displacement was so
great
that I had to put about
50 pounds more of weights on top of the cabinet to keep it flat on the
floor!!
The full configuration
should be fairly awesome.